Who Was The Youngest Son Of Jacob?

Master Painter Breathes New Life Into Gospel Art

Approximately a month before his anticipated solo exhibition, titled “The Lord was there,” premiered at the Arkell Museum in Canajoharie on March 1, esteemed portrait artist Zimou Tan had a vastly different concept in mind for the showcase.

Originally, Tan intended to present 15 pieces from his diverse portfolio, featuring a mix of religious paintings and portraits. However, he describes experiencing a profound intervention from God that redirected his artistic vision.

Following a poignant sermon during a Sunday service about the omnipresence of the Lord, Tan felt a profound calling to shift the focus of his exhibition entirely towards a spiritual theme. Inspired by the sermon’s message, he decided to dedicate the entire show to honoring the divine presence.

Despite initial plans for 15 paintings, Tan was allotted space for only 10 pieces at the museum. Nonetheless, he carefully selected works that deeply resonate with his faith, drawing inspiration from biblical passages for both their titles and narratives.

Tan’s journey towards Christianity began approximately a decade ago, marking a significant shift in his artistic trajectory. Formerly rooted in philosophical exploration and devoid of any specific religious affiliation, his art now reflects a profound spiritual connection and devotion to Christian themes.

On a sunny spring day in late March, Tan reflects on the divine intervention that shaped “The Lord was there,” a transformative exhibition scheduled to conclude on April 28. He exudes warmth and enthusiasm, dressed casually yet stylishly as he discusses his aspirations alongside his wife to repurpose a historic building into an inclusive space for artists, particularly those of the Christian faith.

Expressing a desire to provide a platform for religious art, Tan envisions the gallery as a welcoming space for Christian artists, acknowledging the scarcity of venues dedicated to showcasing such work.

As Tan explores the historic building, once a hotel and more recently a showroom for furniture, he envisions its potential as a haven for creativity. Amidst the quiet and rustic surroundings, he sees an opportunity to foster artistic expression and spiritual reflection, embodying his commitment to nurturing both creativity and faith.